Citizen-led conversions of intersections into
community plazas? Cool! Painting a colorful mural on gray asphalt?
Super cool! Stealing ideas from Portland? All the better!
The neighbors in the blocks surrounding the 22nd
and Garfield intersection have held yard sales, lobbied for grants
and volunteered labor, and, finally, the payoff is near. An ordinary
crossroads will soon be a painted public square, used for community
gatherings, casual loitering, contemplation and gawking.
Several years ago, the Far West neighbors drew
inspiration from a presentation by Mark Lakeman, one of the founders
of Portland's City Repair Project, whose mission is to help people
"reclaim their urban spaces to create community-oriented places."
Katie Geiser and Dirk Beaulieu, co-coordinators of the 22nd and
Garfield project, were especially drawn to the Intersection Repairs
that CRP assisted with throughout Portland.
Geiser and her small group of collaborators envisioned
plans for a pocket park, spiral patio, landscaping, benches and
a bulletin board kiosk. In late 2004, thanks to a donation of
land from Eugene Zendo, that vision was realized, thus completing
Phase One.
Phase Two — a mural painted on the asphalt
intersection — has been in the works since fall 2005. A
professional artist was hired to make a preliminary design, which
was then submitted to the Eugene Traffic Operations for review.
Minor suggestions were made by city staff, and the neighbors altered
the design. The main concern, said Geisman, was if "a driver sees
[the mural] and thinks it's instructing them to do something,"
like a traffic sign. Ultimately the design was voted on by Far
West neighbors and given the go-ahead by the city.
The intersection will be barricaded off on Sunday,
Aug. 26, while Far West neighbors, led by local artist Heidi Beierle,
chalk out the Oriental-style mural and apply the City-approved
latex street paint in broad coats of reds, yellows, oranges and
blues. Interested public are invited to attend the block party
and, perhaps, dream up ideas of their own. — Chuck Adams