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In
the Spotlight
Deez
nutz bring back Northwest cool
BY
ZACH KLASSEN
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| E-40,
Cool Nutz 8
pm Sunday, Dec. 2. McDonald
Theatre. $22.50
adv.,$27.50 door |
The first time I ever saw or heard of Cool Nutz
was in 2005 during a Common show at the Crystal Ballroom in Portland.
DJ Chill was warming up the crowd during the opening act when someone
sauntered onstage, two-steppin' and wearing the familiar Furley
grimace of piss recognition. "Who's this guy in the glasses?" I
asked my friends. But after being met with blank faces and shrugged
shoulders, I figured he must have been just another area rapper
who had earned a quick set thanks to some local clout and lucky
connections. I didn't think much of it at the time, but when Too
Short came to town the next year and this guy appeared onstage once
again, I started to take notice. Now, it seems like you can't talk
about the Northwest rap scene without mentioning Cool Nutz. With
a hip hop pedigree that spans over a decade, the Portland native
has finally started to make his way into the spotlight. This year
alone he's been featured in Spin, The Source and Murder
Dog magazine as the man who is putting the Northwest on his
back and Portland on the map.
And why not? Although the upper-left portion of
this country has done a great job of producing many underground,
conscious hip hop artists (see Swollen Members, Common Market, Blue
Scholars, etc.), it has been lacking mainstream representation for
a hot minute. Hey, Sir Mix-A-Lot, "Baby Got Back" is as great as
it is ridiculous, and I anticipate it will live on forever at middle
school dances, weddings and bar mitzvahs across the country, but
I refuse to believe that you will go down in history as the biggest
rapper to hail from these rainy Western states. It's time to pass
the torch. And with E-40 and the rest of the Sic Wit It Records
crew behind Nutz, it might not be too much longer before this relay
starts. Nutz's newest, King Cool Nutz, is due out December
4th through his own Jus Family Records. These tracks mash the undeniable
pop and tweak of Bay Area hyphy with a touch of locced out Cali
funk and unabashed Southern stomp to create a lyrical playground
that has the ability to be catchy enough for the rest of the country
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