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Spring's
First Festival
A
classical love story sparks the arts
BY
SUZI STEFFEN
Ah, April. The first Saturday Market! Rhubarb
poking its red stems into our pies! And to usher in the first full
month of spring, the Eugene Symphony puts on a festival of surpassing
verdancy, dedicated to pastoral power … and erotic love.
The Discovering Daphnis Festival, which runs April
4-10, gives the music institution more ways to reach beyond the
confines of the Hult Center and into the community. There's a little
something for everyone from young artists to aspiring dancers to
contemporary music connoisseurs to movie lovers, with a flourish
at the end.
The festival's events lead up to the April 10 Eugene
Symphony performance of Daphnis et Chloé, a ballet score
by Maurice Ravel. Shepherds, pipes, the great god Pan and the strength
of true love make appearances in the classic love story of Daphnis
and Chloé — but not everyone knows the tale. Hence, the
festival lights the way to a broader understanding of this ancient
Greek account.
Since the symphony introduced its long-range plan
last fall, staff members have been planning ways to work in partnership
with a wide variety of arts organizations in town. The highlights
begin with the April 4 First Friday ARTWalk, where, in the Hult
Center lobby, art lovers and proud relatives will find murals by
Springfield students. Hundreds of elementary students listened to
the gloriously intense score and then created the artworks, which
were judged by "celebrity jurors" like Bob Keefer of the R-G,
Mary Unruh of DIVA and Sid Leiken, mayor of Springfield. Apparently,
there are many pirates involved (which is only right, for pirates
figure heavily in the original story). Pop from the Hult to the
Downtown Library, where the Eugene Contemporary Chamber Ensemble
performs some Ravel with Eugene Symphony music director Giancarlo
Guerrero as guest conductor at 6 pm.
Perhaps you weren't among the crowd that watched
Ballets Russes at DIVA last year; you can make up for that
by checking out this super gorgeous documentary on a really big
screen at the Bijou at 12:30 pm Sunday, April 6. And the next day,
meeting the challenge of the UO's Collier House and its limited
space, UO dancers perform improv dances to the music of Sound City.
It's part of Brian McWhorter's brilliant Sound-Bytes series and
runs a mere few minutes, 11:54 pm to 12:08 pm. But the UO isn't
finished with its contributions: Monday night, there's a French
music spectacular at Beall Hall, with the music of Germaine Tailleferre,
Olivier Messiaen, Paul Dukas and Ravel. As symphony executive director
Paul Winberg notes, there's also a program for the more academic,
talky set: Thursday, April 10 kicks off at noon in Beall Hall with
a panel discussion about how the legend of Daphnis and Chloé
has inspired much art over the years. Finally, Ballet Fantastique
performs a concert in The Studio at the Hult beginning at 6:30 pm
that night. A big plus: All of this pre-symphony festivating is
absolutely free.
If you love the swoops of violins on an impressionistic
wave of sound, Ravel's score will thrill you, taking you on the
journey of the young, innocent, frustrated lovers. But the program
also boasts replacement violinist Jennifer Koh, stepping in for
the injured Nicola Benedetti with Szymanowski's Violin Concerto,
so there's a soloist to balance the hoopla of Ravel. Something for
everyone: That's the Discovering Daphnis Festival.
The
Eugene Symphony. Jennifer Koh and Daphnis et Chloé. 8 pm Thursday,
April 10. Hult Center • $15-$46 www.hultcenter.org
and www.eugenesymphony.org
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