For
Love of Water: Directed by Irena Salina. Cinematography, Pablo de
Selva and Irena Salina. Music, Christophe Julien. Starring Maude
Barlow, Vandana Shiva, Penn Gillette, Boone Pickens. Oscilloscope
Pictures, 2008. NR. 84 mins.
Willamette Valley folks, could we be arrested someday for capturing
and storing rainwater? An infuriating thought — though not as infuriating
as watching threats and violence against the poor of the world resisting
the privatization of the most precious resource on the planet, water.
Really: Who could own water? As it turns out, a few wealthy
corporations, with support from the World Bank and the International
Monetary Fund, make that claim.
For Love of Water, abbreviated as FLOW, makes its
biggest impact through sheer visual repetition. There’s such a massive
contrast between the Bolivian, Ecuadorean, Lesothan, black South
African and Indian people desperate for clean, safe water on the
one hand, and on the other, the smug, suit-wearing white European
guys in charge of the private companies that keep on screwing over
vulnerable populations. As the movie notes, water rights and water
security may be the biggest issue of the 21st century, and it’s
pretty clear whom the movie-makers blame.
FLOW has problems — it could be much shorter without lengthy
music-laden shots, and the opening sequence appears to demonize
the U.S. system of drinking water. When 1.1 billion people lack
access to remotely clean water, and when water issues cause more
deaths each year than does war, alarm about U.S. systems seems outrageously
indulgent.
But even safely watered Eugeneans need to know about companies
like Nestle (Poland Spring, Ice Mountain, Perrier, San Pellegrino
and other brands) snatching water from U.S. watersheds and then
selling it back to the same communities whose streams have gone
dry. On the positive side, FLOW gives props to and hope for
those fighting back, so it should inspire outrage — and action for
change. — Suzi Steffen