Must Go On
New script, iffy acting at Cottage Theatre
BY WADE CHRISTENSEN
Darrell (Bob Glasser) is a successful actor when suddenly it’s lights out — quite literally. A stage light falls on him, leaving him dependent on his wife and daughter. His trauma is also accompanied by a quirk: Darrell can only speak lines from plays, movies, television shows and songs.
|Clockwise from lower left:Maddy (Elaine Slatore), Sid (Davis Smith) and Darcy (Bob Glasser). Photo: Howard Hummel|
Cottage Theater presents First Impressions, an original “dramedy” by regulars Jim Curtiss and David C. Work Sr. According to the directors’ note, the concept began while Curtiss and Work were performing in the 2006 Cottage production of Sound of Music. They cooked up Darrell and asked what kind of “first impressions” he would make on others.
On the surface, the concept lends itself to misplaced outbursts for comedic effect. However, it is clear that the authors wanted to do more than create a laugh riot. Darrell’s dialogue is neither random nor nonsensical and has been well-crafted to fit the show coherently. Glasser gives the most convincing performance of the night when reciting Darrell’s various monologues and otherwise remaining in haze while his family argues around him.
Darrell’s wife Maddy (Elaine Slatore) and daughter Lisa (Caroline Cramer) struggle to live life with the burden of Darrell squashing their options. Lisa is afraid to bring her boyfriend Mark (Ron Judd) home for fear that Darrell will scare him away. Maddy is too overcome with her own guilt to put Darrell in a “home” and seems trapped by her love for the man.
Though conceptually strong, First Impressions is not without problems and becomes overshadowed by mediocre acting. Caroline Cramer gives Lisa a pre-teen angst and tends to convey emotion by jutting forward and twisting her hands together constantly, which comes across as amateurish and repetitive. Slatore has trouble varying Maddy’s voice, and many of her cues come too late, making otherwise powerful moments seem insincere by way of delayed reaction. The show also lacks decisive blocking, which leaves actors moving for movement’s sake and uncomfortable in any type of physical embrace. This is most problematic when characters are forced to hug or kiss and discredits what is supposed to be an ongoing relationship between the characters Mark and Lisa.
The script itself is well done, but it could definitely use red ink through a few sections — as is to be expected from its first run. Lisa repeats nearly the same three lines in three scenes to tell us Darrell is ruining her life. The first act also drags with most of the deep realizations coming by way of overly emotional monologues or one-sided phone conversations.
Had the repetitive moments of the first act been cut, the second act may have had more time to flourish. The second act is definitely the stronger portion of the show with character switches between Darrell and his brother Sid (Davis N. Smith) providing some of the stronger moments in the piece. However, plot points smash together to create a timely conclusion. Though this works for farce and is done quite nicely, it seems a bit displaced when preceded by the drama of Act I. The show also could end at least once before it actually does, and a couple of the characters seem out of place. Mark’s brother Michael (David Work Jr.) is only important to the plot in his concept and need not ever appear onstage, especially when saved for the final scene. Julia (Alli Cramer) is an unnecessary role, providing nothing to the plot but confusion at her presence.
All that said, the endeavor has a strong base and could be a very solid piece with another look at the writing. The audience seemed to enjoy it, and the show certainly got good laughs. First Impressions makes an impact, and it could make an even greater one if given another chance to hit the stage. Curtiss and Work have given the theater a nice script that deserves another go-round.
First Impressions runs through March 8 at Cottage Theatre in Cottage Grove. Tix available at www.cottagetheatre.org or 942-8001.