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The night of Monday, Feb. 22, was a moment many have been waiting for since October, when the city considered the private purchase of Kesey Square in a closed executive session: For the first time, the Eugene City Council publicly discussed Kesey Square, aka Broadway Plaza.

The work session, and public forum that followed, illustrated a lingering divide between some of the city councilors and mayor and the requests from citizens to keep the square public. 

• Seneca Jones Timber Company LLC, 689-1011, plans to hire JR Helicopters, (509) 452-3300, to aerially spray 56.9 acres near Douglas Creek with glyphosate, atrazine, 2,4-D, clopyralid, hexazinone and/or Crosshair. See ODF notification 2016-781-02102, call Brian Peterson at 935-2283 with questions.

When NPR education correspondent Claudio Sanchez visits a town to give a lecture or public talk, he likes to take something back home with him — a story.

“I try to report on something local every time I’m invited to one of these things, because I think it’s a great opportunity to get to understand the community better,” he says.

On March 2, Sanchez will speak at the University of Oregon about his experience as an education reporter. His visit is sponsored by KLCC and supported by the Wayne Morse Center for Law and Politics.

Oregon Department of Environmental Quality (DEQ) issued a civil penalty of $6,777 to Ninkasi Holding Company on Feb. 9 for Clean Water Act violations at its Whiteaker facilities. Ninkasi’s Clean Water Act permit requires monitoring for various pollutants in its stormwater discharges four times per year, and Ninkasi failed to take any samples at its Blair Boulevard discharge point, and took only three of the required samples at its Polk Street discharge point.

Graduate student Jewell Bohlinger studies human and cultural geography at the University of Oregon, and she’s currently researching prisons — from environmental impacts within prisons to whether prisons can be sustainable with high incarceration rates.

Bohlinger is one of more than 100 UO graduate students who will present their research projects Feb. 26 at the UO’s Ford Alumni Center for the UO Graduate Student Research Forum, organized by the UO Graduate School.

The occupation of the Malheur National Wildlife Refuge by anti-government activists was expensive on a number of levels, from law enforcement costs to loss of revenue stemming from the refuge. Also costly could be the Bundy’s and other occupiers’ legal fees and possible restitution, and there are questions about how the ranchers were able to afford to be be away from their jobs and ranches for more than a month from Jan. 2 to Feb. 11, when the last four militants surrendered.

Lane County Democrats gathered Feb. 18 for their traditional endorsement process for nonpartisan May Primary races. No big surprises (Lucy Vinis for mayor, Tony McCown for county commissioner), but no endorsements for any of the three Dems running to replace George Brown in Eugene City Council Ward 1. DPLC Chair Chris Wig is one of the candidates, and to avoid a conflict of interest, he turned over the meeting to Vice-chair Laura Gillpatrick.

• Tsunami Books reports its “Eat Local/ Shop Local” sandwich board sign in front of the store was stolen the night of Feb. 18, the same night the Domino’s Pizza opened next door at 2568 Willamette. Coincidence? A new sign will be up soon. Domino’s now has three stores in the Eugene area.

• The Coalition to Reduce Elementary Level Class Size is hosting an organizing meeting from 6:30 to 8 pm Thursday, Feb. 25, at Edison Elementary School, 1328 E. 22nd Ave. Oscar Loureiro, director of research and planning at 4J, and Anne Marie Levis, 4J school board member, will join the meeting for a question and answer session. Find the event on Facebook.

I am sorry to hear that the small square at Broadway and Willamette will possibly be replaced by a commercial building. Since this square is, I believe, the only hard-surfaced square in Eugene’s downtown, it would seem a very unfortunate decision. Most cities value and preserve their public places. 

A native of Rockville, Maryland, with a degree in music education from George Mason University, Anya Dobrowolski came to Eugene in 2006 for grad school in landscape architecture. She finished a master’s degree in 2011 and was hired as assistant director of the school’s newly minted one-year graduate certificate program, Oregon Leadership in Sustainability (OLIS). That’s where she met Beth Sweeney, an OLIS student who had worked six years for the EPA in Dallas, Texas, and in her hometown of Seattle.

Last year, Seattle band Chastity Belt released its debut, Time to Go Home, on Hardly Art, a subsidiary of Sub Pop Records used to foster and grow interesting bands that might not otherwise be quite ready for prime time. 

Ani DiFranco doesn’t mince words: Her current tour is called Vote Dammit! The objective is to ignite the political fires of an audience through music and community building. 

“It’s about participation,” DiFranco tells EW. “If we sit out on election day, bad things will happen, but if everyone who could vote would vote we’d have a better country.” 

Is another run through of Burt Bacharach’s music really what the world needs now?

Don’t dismiss Eugene Concert Choir’s Feb. 27 show at the Hult Center as another profitable exercise in yet more boomer nostalgia. True, with maybe the exception of Lennon-McCartney and Motown, no one else’s music dominated the ’60s pop charts as much as the irresistibly catchy tunes cranked out by the songwriting team of Burt Bacharach and Hal David.

As the tilted Earth spins and progresses through her orbit, late February brings light and warmth flooding back to us. But spring is not the only fresh thing bubbling up from all points the south. The Oregon Shakespeare Festival in Ashland soon greets the lengthening days, buzzing with new stories that are beautifully staged.

How to Be a Sissy, a new solo work by actor-writer Brian Haimbach, opens with the memory of a little boy wearing a towel on his head and imagining that he has long, glorious hair. 

STOP FAT HATING

At first glance, Cuba doesn’t quite seem like a developed nation but it’s not exactly Third World either. In Havana, even off the tourist track, there tends to be air conditioning and indoor plumbing, and ordinary people in public places look healthy and reasonably well fed. True, most of the cars whizzing past are battered relics of the 1950s but, thanks to Cuban resourcefulness, they’re still running — often powered by a newer Toyota or Soviet-era engine hidden under the hood. 

Gay, thirtysomething male in DC. My boyfriend of three years has been acting strange—not taking his antidepression meds, says he’s feeling weird. He has withdrawn from me, sleeps 15 hours a day, and has been canceling on commitments to socialize with friends. That I am fine with—he’s blue and I get it. Here’s why I’m writing: He was doing an online crossword, and when he got up, I was going to write a message in it—to be funny and sweet. What I saw messed me up. There was a browser window open about meth and depression.

After more than a decade of writing about movies, the Oscars, somehow, still raise a fire in me. I know I will be disappointed. I know there will be one or two wins that seem perfect, one or two speeches that surprise, just like I know that most of the lauded films will be about white men enduring something.

I know the Oscars matter, on a business and cultural level, no matter what the Coen brothers — who’ve conveniently already earned a few — say. Winning is power and power is money, and money lets people decide which stories get told.

Lush, brooding and contagiously creepy, The Witch is just the sort of spooky gem that fans of horror clamor for but rarely get. The film neither shocks nor bludgeons you. It does not beg indulgence, nor does it paint its grotesqueries in broad strokes.

The earworm train is coming to Eugene: “Sherry,” “Big Girls Don’t Cry,” “Walk Like a Man,” “Can’t Take My Eyes Off of You”— the list goes on. Song after song, hook after hook, all from Frankie Valli and the Four Seasons from their glory days in the ’60s and ’70s.

Sniffing out what you shouldn’t miss in the arts this week

On Jan. 21, “Berners” commandeered the Cozmic building on 8th and Charnelton in downtown Eugene. There were about 30 people at Cozmic when the Lane County for Bernie Sanders meeting began. The space, often used for concerts, might have been quieter than usual, but the atmosphere was a mixture of excitement and optimism. 

The Sanders supporters were diverse in age, ranging from teens, not yet old enough to vote, to senior citizens, as one woman humorously described herself. After the meeting, volunteers made posters, wrote letters to local publications or joined the phone-banking team.