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November 4, 2008 11:35 PM

The Eugene police auditor and pothole measures and the 4J schools and LCC money measures appear likely to pass.

All held substantial leads by 10 pm with about a quarter of the votes counted.

Here’s the yes vote on the measures:

Police Auditor- 65%
Potholes- 58%
4J Levy- 65%
LCC- 56%

November 4, 2008 03:39 PM

Lane County Elections will start reporting results after about 8:30 pm on their website.

The pivotal close races to watch are the Democrat Kitty Piercy v. Jim Torrey mayor showdown and the close race for the north Eugene Lane County commissioner seat between conservative Bobby Green and progressive Rob Handy.

The magic number for Piercy/Torrey may be 34,060. That’s 50 percent of those who voted in a city election in November 2004.

The magic number for Handy/Green may be 15,663. That’s 50 percent of those who voted in a contested county commissioner race in November 2004.

But the number of voters this year appears likely to be higher. Students say they have registered thousands of new voters at the UO. A high student turnout could help progressive Piercy.

Lane County reports a 2.5 percent increase in voter registrations compared to 2004. If turnout equals the 91 percent for the county in 2004, the Piercy/Torrey magic number could inflate to 34,898. The Handy/Green magic number could inflate to 16,048.

In May 2008, the county had counted about 60 percent of the votes in Eugene by 9 pm. Judging from May, late votes may favor progressives Piercy and Handy.

Piercy and Torrey were nearly even at 9 pm in May, but in the unofficial final results available the next day, Piercy was ahead by almost 800 votes or about 2 percent.

In May Handy lead Green by about 2 percent at 9 pm. In the unofficial final results the next day, Handy had a lead of about 4 percent.

Both races went to a runoff because no one had more than 50 percent.

Torrey and Handy may have a slight edge based on the May results.

If the 4 percent of voters who voted for two other conservative candidates in May had instead voted for conservative Torrey, he would have won with 51 percent.

If the 6 percent of voters who voted for two other candidates critical of Green in May had instead voted for Handy, Handy would have won with 55 percent.

Another factor for Piercy may be The Register-Guard. The paper inexplicably reversed its May endorsement of her to Torrey and has largely buried or not reported in depth news of Torrey’s huge contributions from gravel pit and development interests.

November 4, 2008 10:41 PM

With about 20 percent of the ballots counted at 9 pm, the pivotal Eugene mayor and north Eugene county commissioner races were too close to call.

Mayor Kitty Piercy lead Jim Torrey 51 to 48 percent. Rob Handy lead Commissioner Bobby Green 52 to 48 percent.

“It’s too early to count any chickens,” Piercy said.

Piercy figures she may need about 38,000 votes to be assured of victory. At 9 pm she had just 8,752.

The Handy campaign said they might need about 17,776 votes to be assured of victory. At 9 pm Handy had just 3,503 votes.

Compared to 8 pm, both Piercy and Handy’s leads remained roughly stable.

November 4, 2008 11:08 PM

At 10 pm with about a quarter of the votes counted, Kitty Piercy’s lead had widened slightly to 52 percent in the Eugene mayor's race.

Rob Handy’s lead in the county commissioner race held at about 52 percent.

Both races remained too early and close to call.

November 4, 2008 11:21 PM

Obama Pictures and McCain Pictures

Also: That concession speech? Well played, Sen. McCain. Well played.

November 3, 2008 12:31 PM

I've said it before and I'll no doubt say it again, but this is exactly what YouTube is for: an a cappella tribute to the composer of some of the catchiest themes in film.

I am not ashamed to admit that I shed tears of laughter.

October 29, 2008 06:03 PM

Could Kitty Piercy get an endorsement from Barack Obama in the tight Eugene mayor's race?

Sure, Obama is a little busy right now. But he did do an ad endorsing Jeff Merkley for Senate after Republican Gordon Smith ran misleading ads trying to cozy up to Obama for votes.

Piercy's opponent, erstwhile Republican Jim Torrey, has also tried to cozy up to Obama, using the same "yes we can" slogan.

While he was running as a conservative Republican against State Senator Vicki Walker two years ago, Torrey ran a TV ad cozying to Bill Clinton in an effort to win votes. But the ad backfired and prompted Clinton to endorse Walker.

How did Walker get Clinton to endorse in the local race? The Register-Guard reported, "Walker forwarded the ad to Clinton's New York office. They quickly sent back an endorsement." Simple.

October 29, 2008 11:44 PM

Remember how George Bush, Henry Paulson and other supporters of the $700-billion bailout for banks swore up and down how the taxpayer money was desperately needed so that banks could lend money to main street Americans?

Well, it now appears that's not what the money was really for at all.

The Bush Administration just handed Umpqua Bank, one of the Northwest’s largest financial institutions, $214 million in taxpayer bailout cash.

But as the Oregonian reports :

Umpqua is already well-capitalized, raising questions about whether the institution needed the federal money. "The bottom line is, we probably don't," said Ray Davis, president and CEO of Umpqua Holdings.. Umpqua's Davis said it made sense to accept the money, which will come in handy if the bank decides to buy out a competitor.

The Register-Guard similarly reports :

“We can use it for pretty much anything,” Chief Financial Officer Ron Farnsworth said. “If we need it for lending, we can use it for lending. We don’t need it for that — we have plenty of money for lending (from) deposits. We look at it as an opportunity for increasing our footprint.” What the Treasury is trying to do, Farnsworth said, “is drive consolidation. They want to see the stronger banks acquire the weaker ones.”

So Umpqua doesn’t need the bailout money for lending and won’t use it for that. What it will do is use the taxpayer money to consume smaller competitors, causing big layoffs and making itself too big to fail so Umpqua can then get, you guessed it, more bailouts.

A few years ago environmentalists called for a boycott of Umpqua because some of its biggest owners were old-growth timber barons. After the $214 million taxpayer bailout was announced, those timber barons’ Umpqua stock rose more than 20 percent.

October 28, 2008 01:27 PM

Down in the polls with a week to go, the McCain/Palin campaign appears racked by infighting:

October 27, 2008 01:53 PM

Kitty Piercy now has a TV ad out in the tight mayor's race that describes Jim Torrey as a "right wing Republican."

The folksy ad also notes Torrey's big contribution to George Bush's re-election campaign.

October 24, 2008 10:33 AM

Forget about Joe the plumber, what about Amy the makeup artist and Angela the hairstylist?

The New York Times reports that the McCain campaign pays makeuper Amy Strozzi
$11,400 a week to work on "Carribou Barbie" Palin. That makes Strozzi the highest paid campaign worker on the McCain/Palin payroll.

Joe the plumber makes nowhere near enough to pay more taxes under Obama's tax increase for the rich. But Strozzi might.

Running not far behind the makeup artist is Palin's California hairstylist Angela Lew at $5,000 a week, the Times reports. This on top of reports that the McCain campaign earlier spent $150,000 on designer clothes for Palin.

So much for fiscal conservatism. So much for the average Joe facing mass layoffs. Hundreds of thousands on makeup, hair, designer boots? Think of all the six packs that money could buy.

October 24, 2008 11:06 PM

Kitty Piercy put a big chunk of her limited campaign money into this TV ad in the tight Eugene mayor's race:

With all the excitement about Obama in a town that voted two-thirds Democrat, it's odd Piercy doesn't mention that she is a Democrat that supports Obama and Jim Torrey ran as a Republican and supported George Bush and the Iraq War.

Here's a couple of YouTube ads from North Eugene High School students that don't miss the Torrey-Bush link:

October 23, 2008 11:40 AM

Is it possible there's anyone still unaware of the Twilight Phenomenon? Y'know, that in which legions of screaming fans (mostly female and of all ages) go batshit crazy for Stephenie Meyer's overwritten supernatural romance about a girl who's totally hot but doesn't know it who falls for the hottest guy EVAR — and finds out he's a vampire? Maybe there is. I'm skeptical. I'm also, clearly, not a big fan, though I will freely admit that I tore through the first book and only afterward felt a little dirty about it. Watching the internet fandom explode when the series' fourth book, Breaking Dawn, came out this summer did make for hours of fun, though. As would reading the mountains of fanfiction, if I could bring myself to do so. (I don't really begrudge anyone their fandom ... I just hope they move on to better books when they're done with it. Also, this stuff is just too easy to mock.)

But now, in a mere month, we'll be given Twilight, the movie. And, somewhat perversely, I'm looking forward to it — and not just because it stars the very pretty Cedric Diggory Robert Pattinson, though that doesn't hurt (nor do his bemused comments about the screaming fandom. Oh, RPattz! How charmingly naive you are!). It just looks so ... indulgent? Goofy? Modestly epic? I'm not quite sure. It comes to us from Catherine Hardwicke, who made the praised-by-many, hated-by-me Thirteen, Lords of Dogtown and The Nativity Story, which, hey, it's OK if that's not ringing any bells, because almost no one saw it.

So ANYWAY (tm Klosterman), what put all this in my head was the email that arrived today bearing the tracklisting for (and a link to a stream of) the Twilight soundtrack. Which, well, huh. This is a little wacky. My first impressions are as follows. And when I say first, I mean I'm typing while I listen. Here goes...

1. Muse - "Supermassive Black Hole"
Muse used to sound like fake Radiohead. This, though, has that sort of quasi-industrial feel that's required when your vampires aren't historical. Also, it sounds like it was left over from the soundtrack to The Crow. Hello, falsetto vocals, slightly ominous tone, dance-friendly rhythms? Yeah, I see where we're going with this.

2. Paramore- "Decode"
OK, my pop punk side likes this; at first, it's like the singer from Pretty Girls Make Graves fronting a band on Vagrant. But it's got that reverb-laden Evanescence thing that tries to cover for fairly standard songwriting, and I can't get behind that. Swooning, my-life-is-ending teen angst. Which can be a good thing, but this is too generic in its swoopy faux-gothiness.

3. The Black Ghosts- "Full Moon"
Despite its title, this song is clearly going to play during a scene in the daylight, as it's almost ... cheerful. Acoustic guitars, annoyingly funky bass line, odd strings. OK. It's fine. It's the song no one will remember when they leave, but it's fine.

4. Linkin Park- "Leave Out All the Rest"
Totally nondescript third? fourth?-generation emo (don't get me started on the history of this damn word) that has all the weight of the pop bands that were popular when I was in high school. I'm being mean, but I'm not kidding; this sounds totally manufactured, like Linkin Park is just the singer and a bunch of studio wizards created the music.

5. Mute Math- "Spotlight (Twilight Mix)"
Slightly frenzied, guitar-based pop that reminds me of one or another of those mid-’90s British guitar bands, though I can't pin down which. But with a really sensitive singer. This isn't terrible, but I'm not going to run out and search out the record.

6. Perry Farrell- "Go All the Way (Into The Twilight)"
The first of two truly odd selections. Perry Farrell? And Twilight? It'd be totally awesome if this inspired some 14-year-olds to fall in love with Jane's Addiction, but I'm not holding my breath. But — what — the ...? I take that all back. There's no way anyone is going to draw a line from this dance-beat trifle to "Been Caught Stealing." I'm honestly too boggled to think of anything else to say. Whiny vocals, Farrell alternating with a female singer who sort of talk-sings ... you can almost see the strobe lights on the dance floor.

7. Collective Soul- "Tremble for My Beloved"
And the second odd selection. I can't see the words "Collective Soul" without remembering that video for "Shine" — wasn't that the one with the trees? Regardless, Collective Soul falls into the same place in my head where Candlebox lives: rock bands that never needed to get that famous. Alas. Anyway, this sounds like a certain kind of ’90s college rock updated for the naughty aughties with different guitar effects. Everything on this soundtrack is so slick it's getting hard to pick one song out from the others. But if you asked my 20-year-old self about this — and didn't tell her who it was — she'd probably like it. And that's admitting a lot.

8. Paramore- "I Caught Myself"
Starts well enough, with a pretty guitar bit and the sort of rolling rhythm that tells you this might swell into a crowd-pleasing arena rock song. I like this singer well enough; they need to just let her sing and stop glossing the vocals up, but she has a tiny, believable bit of fury in her voice. It's a little too much, too produced, too easy to imagine it stripped of all sincerity and canned into a pop diva tune. This soundtrack is full of aching hearts and impassioned vocals, but most of them have been polished to a painfully bright gloss. Everything's so damn radio-friendly.

9. Blue Foundation- "Eyes On Fire"
This spare, slightly spacy song from a group of Danes is the most interesting thing to turn up here yet. It requires a little bit of patience; the fragile-voiced singer waits just long enough between some of her phrases that you start anticipating the next line. Eventually, the band starts to fill in the empty space that makes the song intriguing, and it goes a bit more familiar, but it does break the soundtrack's mold; there are no generically distorted guitars to muddy up the feeling of solitude the song conjures up. It's a little Cure-y, especially during a certain part when the drummer goes a little crazy (tell me you don't think Disintegration when that happens!), and a little ... well, a little ’80s, but not in the ways usually thought of.

10. Rob Pattinson- "Never Think"
I read somewhere that while Twilight was filming around Portland, RPattz would occasionally play at bars and such. And I'm still a little mad that no one ever told me where to find him. But whatever. This is a pretty, earnest, acoustic guitar ditty that you'd hear some unassuming fellow on the stage at Sam Bond's break into. Everyone would go quiet, waiting for the vocals to start. And then ... then you'd wonder why the English boy was singing with a sort of mumble-twang. He sounds so shy! It's a sweet, simple, quiet Americana-folk-bedroom-singer-songwriter sort of song, but this kid (he's 22) sings with an unpolished sort of honesty; he sounds nothing like a movie star. And I like that.

11. Iron and Wine- "Flightless Bird, American Mouth"
On this soundtrack, one of these things is not like the other. Sure, the ’90s college rock was odd enough, but Sam Beam turning up — and showing up RPattz by being listed right after him — is possibly even odder. As expected, this song (from The Shepherd's Dog) is heart-tuggingly gorgeous, a musicbox beauty of acoustic guitar and accordion and falsetto that shifts into something a bit more sturdy partway through ... and then the stream craps out on me, which figures. But its very inclusion gives me a little bit more liking for the film's music supervisor, Alexandra Patsavas, who clearly knows how to use an often overwrought, sometimes believably emotional song (so sue me; I love Snow Patrol) to great effect; she works on Grey's Anatomy, among other shows.

12. Carter Burwell- "Bella’s Lullaby"
You can't hate on Burwell, who's done scores for, well, everybody. And "Bella's Lullaby," which reportedly is a theme that runs throughout the film, is just as it should be: a pretty piano melody (which Edward plays for her at some point) that, at varying points, is stripped down and simple or wrapped up strings that provide drama and depth.

The Twilight soundtrack comes out Nov. 4; the movie will be in theaters Nov. 21. I know you can't wait.

EDIT: It seems that other EW, Entertainment Weekly, already had this idea. Their version has more pictures, though. For what that's worth.