Warpaint @ Lustre Pearl [unofficial day show] Lustre Pearl, a converted house just blocks away from the Austin Convention Center (and right behind an IHOP), might’ve been my favorite venue of the week. The building, tucked behind a rusty fence (the pic above was taken while I stood in line), is small, just a few rooms, one taken over by a bar, but the backyard area is huge, and complete with taco truck. The delight of finding a Brooklyn Lager (a sentimental choice) went nicely with the delight of finding Warpaint absofuckinglutely amazing. They were good at Sam Bond’s last year. They were superb in the middle of the afternoon in Austin, creating a dense, precise wash of sound, winding vocals in and out with such ease that it seemed like the music just hung there, undulating, in the middle of the sprawling white tent. I can’t remember songs. I can’t remember how many there were, or which they played, or if they were the ones I wanted to hear. It wasn’t that kind of show. It was like a big aural vacuum: You’re sucked in, you live in it, and then it’s over and nothing that comes next is going to be quite as good.
I nommed a fantastic taco and split after four Rogue Wave songs. I love Rogue Wave as much as the next pop-harmony sucker, but my magical spell had been all busted up and I wanted to be somewhere else.
Frightened Rabbit @ Mess With Texas [non-SXSW awesome minifestival] Standing in line for the Mess With Texas fest, a delightful bit of counterprogramming that I would commit unpleasant acts to have happen in Eugene, I heard Billy Bragg, and I cursed whatever bit of timing had made me arrive when I did, and not half an hour earlier. Bragg broke into “A New England” and I got goosebumps; is there a more plaintive, honest love-longed-for song? Could it be sung in a better voice than Bragg’s haunting, slightly creaky British tones? The answer you’re looking for is “No.”
The FRabbits were lovely and the crowd was huge and the sound was imperfect. I stood in the back, too close to a tent in which the curious, mostly women, were perching on a Harley-Davidson and revving the shit out of it. You can see how that might affect the mood. But I'd watch Frightened Rabbit through just about anything.
Jenny Owen Youngs @ Live Create Lounge The Live Create Lounge was well-stocked with free nutrional bars, phone chargers and overpriced beer. I took appropriate advantage of each and watched Youngs, who looks like a poster girl from the ’60s and sings like it’s as easy as breathing. Her pop-folk songs tend to the catchy and disconcertingly sweet-sounding, with an underlying steeliness, and she deserved to play to a bigger, more attentive crowd.
Anya Marina @ Maggie Mae’s I was curious about two things: Marina with a band, and the venue in which she was playing, with its multiple levels and slightly confusing staircases. Marina with band was fine, but unexpectedly lackluster, despite her perky, “fuck”-dotted stange banter; I think she’s got more personality than is showing through in her songs. Maggie Mae’s offered a nice vantage point from which to look down on Sixth Street, where the crowds had yet to reach their full nighttime density.
Patrick Stump @ Dirty Dog Bar Stump practically snuck onto the stage; there was no fanfare, and if some people didn’t immediately recognize the Fall Out Boy singer, newly shorn and less more than a few pounds, it seemed likely he liked it that way. (“Hi. I’m Patrick,” was all he offered as introduction.) But there was an off-kilter feel to his five-song performance. He tore around the stage for the first song, getting loops going with each instrument, proving himself a capable musician, but when the song finally settled in, there just wasn’t much to it: a bit of funk, that soulful vocal delivery, and what else? It wasn’t just Stump’s feverish uncertainty — which suits him when it’s in the lyrics; one song trades “This is my confession” for “I’ve got nothing to confess” in a matter of seconds — it was the nagging feeling that maybe these tunes (unrecorded, he said) weren’t ready for their close-up just yet. Operative word there being "yet."
Les Savy Fav @ Galaxy Room Backyard At one in the morning, those that aren’t wearing out are getting wearing on those that are. You follow me? Les Savy Fav’s Tim Harrington was as cuckoo as ever — was that a Wild Things costume he was wearing at first? — tearing about the stage, fucking with the lights, ripping up glowsticks, all that jazz, but something was missing. Penultimate SXSW night blues? The general lack of movement in the crowd? Everyone woke up for “Patty Lee,” which mustered up a bit of a singalong. It went like this: “Back before Babylon,” Harrington roared, and fans joined in, “SHIT WAS COOL!” This was almost as awkward — and equally entertaining — as when crowds sing along with Cursive’s self-aware songs about being self-aware dudes in a self-aware band.