There’s no better time to reflect on family dynamics than after the holidays, for many a time of family harmony and family madness, and that’s exactly what artist Sarah Refvem is doing with her First Friday ArtWalk solo exhibit Familiar Dynamics at the Woodpecker’s Muse on Jan. 4.
Portland painter Carl Morris’ History of Religions murals will open at the Jordan Schnitzer Museum of Art Dec. 21 — only the second time they’ve been shown since the inaugural exhibition more than 50 years ago.
The 16th-century Dominican philosopher Giordano Bruno suggested that God was a living essence that flowed through and permeated the universe — i.e., God is not remote but dwells within us. You may scoff at such hippie-dippy huggermugger, but the Holy Roman Empire was so freaked by Bruno’s ideas about cosmic interconnectedness that they burned him at the stake.
After touring the West Coast with their Dead Rockstars exhibition, Blunt Graffix is back with another blockbuster show in Eugene, Blunt Fink! which gives iconic movies like Easy Rider, Big Trouble in Little China and Lolita a deliciously ghoulish spin.
For an entire Minnesota winter, Peter Happel Christian left a thick stack of black and white photo paper, tied up with twine, on a cedar pallet in his snowy backyard. Over the season, the paper turned black, the corners curled and the waterlogged sheets began sticking together.
The founders of Eugene Contemporary Art (ECA) want the city of Eugene to embrace challenging art. “Difficult art is what everyone remembers from history,” ECA Executive Director Courtney Stubbert told the audience at the packed Red House Oct. 19 during the “Creative Conversations: Re-imagining Eugene — What the Arts Do for Downtown” panel discussion.
Cottage Grove’s 29-year-old Thomas Haney likes snakes, lizards and bugs — a lot. At one point as a kid in Austin, Texas, Haney wrangled over 80 lizards for pets. When his love of reptiles transformed into a love of reptilian (and nature) photography, the world took notice.
Local sculptor Jud Turner continues to make waves in the art world with his stunning industrially inspired pieces. Not only is his work beautifully crafted, but each piece also challenges the viewer with a deeper cognitive message.
Memory is a precious thing, and film allows us to capture moments that would otherwise be transitory. We take solace in those captured moments because sometimes memories can leave us — sometimes they can fade away and never return. That last part is exactly what installation artist Michelle Given wants her viewers to explore.
If artist Martha Bowen could be described with only one word, that word might be “humble.” Along with her modest and genuine character, Bowen’s captivatingly beautiful watercolor paintings are true to her unassuming nature.
Painters, drawers, sculptors, photographers, dancers, printmakers, architects and other artisans must command the push and pull, yin and yang, hard and soft elements of their respective crafts in order to captivate their viewers.